One year later:
- We're still mourning.
- We still have one eye closed.
- We lost the mechanism of internal competition, essential to the evolution of Venezuelan TV.
- Nobody watches the government network TVES.
- The job sources for actors, producers, directors and technical crew members have been severely diminished.
- Writers in RCTV are adapting classic works or remaking old telenovelas.
- Writers in VenevisiĆ³n are being directed to write for an "universal" market, not for Venezuelans. This international market seems to like telenovelas made in Miami, and those produced by Televisa and Telemundo.
- Telefutura has a say in the casts of RCTV telenovelas, but then moves those same productions to humiliating slots in its schedule.
- Actors have seen their few work sources invaded by political polarization.
- In a modern twist of the witch hunts, some Venezuelans decided to judge actors and writers not by their talent, but by their workplace.
- The wound hasn't healed. It's a wound in our freedom of expression, a hole in our remote control, and in our Venezuelan essence.
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